
Since hawthorns play such a significant part in the childhood development of our narator, finding the first reference is always a joy:
It was in these ‘Month of Mary’ services that I can remember having first fallen in love with hawthorn-blossom. The hawthorn was not merely in the church, for there, holy ground as it was, we had all of us a right of entry; but, arranged upon the altar itself, inseparable from the mysteries in whose celebration it was playing a part, it thrust in among the tapers and the sacred vessels its rows of branches, tied to one another horizontally in a stiff, festal scheme of decoration; and they were made more lovely still by the scalloped outline of the dark leaves, over which were scattered in profusion, as over a bridal train, little clusters of buds of a dazzling whiteness. Though I dared not look at them save through my fingers, I could feel that the formal scheme was composed of living things, and that it was Nature herself who, by trimming the shape of the foliage, and by adding the crowning ornament of those snowy buds, had made the decorations worthy of what was at once a public rejoicing and a solemn mystery. Higher up on the altar, a flower had opened here and there with a careless grace, holding so unconcernedly, like a final, almost vaporous bedizening, its bunch of stamens, slender as gossamer, which clouded the flower itself in a white mist, that in following these with my eyes, in trying to imitate, somewhere inside myself, the action of their blossoming, I imagined it as a swift and thoughtless movement of the head with an enticing glance from her contracted pupils, by a young girl in white, careless and alive.
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